Dramaturgy of Othello by William Shakespeare Paper

Dramaturgy of Othello by William Shakespeare Paper

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Dramaturgy Assignment

Notes –

A lot of you are probably wondering when you were reading in chapter 3 what a Dramaturg is.The book gives a brief over view of what this person does for a theatrical production but I do not like the books definition and I would like for you guys to understand this position a little better.To do that I have developed a little assignment that will help you get into the shoes of an actual dramaturg.

The definition of a Dramaturg I would like you to use is this:

“A Dramaturg is a person that serves as the voice between playwright and the production.”

This means that when a production is being done, it is the responsibility of the dramaturg to make sure that the director, actors, designers and everyone involved in the production is sticking to the playwright’s original vision.

How does a dramaturg do this?A dramaturg can do this in many different ways but one of the most popular methods is called the PERSIA method.

PERSIA METHOD – this system has the dramaturg study the time period in which the playwright himself lived through six different viewpoints.

P – Political, what was going on in the world politically when the playwright wrote this play.Who was King, or President, was there a war going on etc. 

E – Economic, what was going on economically at the time the play was written.Was the playwright poor was the economy good/bad etc.

R – Religious, what was going on religiously in the world at the time the play was written.What was the primary religion at that time.

S – Socially, what was going on socially at the time the play was written.Were there class systems and what were they.

I – Intellectual, what was going on intellectually in the world with education and what were the popular philosophies of the time period. 

A – Artistically, what famous art movements were happening during the time of the playwright.

Assignment: 

  • Students are required to experience what it is like to be a Dramaturg for a production, and complete a 350 word essay choosing 1 of the 6 viewpoints and showing how that particular viewpoint influenced the Playwright.
  • Read the play Othello by William Shakespeare.The play can be found online for free in numerous places.Just Google Othello by William Shakespeare and you will be directed to the text.
  • Next you must choose a viewpoint on which to research about the time and the place where this play was written.That time period is between the years 1575 c.e. and 1630 c.e. in London, England.Choose one of the PERSIA viewpoints and do your research.
  • Now write your 350 word essay about the research you have gathered and how it affected Shakespeare in writing it.
  • To turn in this assignment I would like you guys to complete the essay in the Course Content Section under the Assignment Titled Dramaturgy.You can write your answer in the answer box or Attach a word Document if you are more comfortable with that.

A Shortened Example: Play Macbeth. Viewpoint – Political. 

Politically in England during Shakespeare’s life, James V of Scotland has just become James I King of England.Since Macbeth is about a Scottish king it is safe to assume that Shakespeare was writing a play that would appeal to the current King of England.James I was also interested in the occult, and in the play Macbeth the characters of the witches serve as a major influence in moving the story forward.

Things to Consider:

  • Make sure your research is from 1575 to 1630, and in London, England.I know the play takes place in Venice and then in Cypress, but you are not doing research on Cypress or Venice.You are doing research on Shakespeare and he lived in London, England and wrote plays for people in London.It isn’t even known if Shakespeare ever even left London to visit Italy so talking about Italy is not what this paper is about.
  • Do not talk about the Cinthio short story Othello is based on.Once again, this Italian writer writing in Italy is not what this paper is about.In the time of Shakespeare, there were many different versions of Othello.What makes Shakespeare’s notable was that his version was the best.Cinthio’s short story is irrelevant.
  • Do not talk about the Venetian-Ottoman Wars.This war happened in another country and although is in the play, it has no influence on Shakespeare and the audiences in London.
  • Do not write a Synopsis of the play.Most of your paper should be your research and the only mention of the play is when your research is connected to a certain character or event in the play.

5 attachmentsSlide 1 of 5

UNFORMATTED ATTACHMENT PREVIEW

No Fear Shakespeare – Othello (by SparkNotes, transcription by Alex Woelffer) Original Text Modern Text Act 1, Scene 1 Enter RODMERIGO and IAGO 10 15 20 25 RODERIGO and IAGO enter. RODERIGO Tush! Never tell me. I take it much unkindly That thou, Iago, who hast had my purse As if the strings were thine, shouldst know of this. RODERIGO Come on, don’t tell me that. I don’t like it that you knew about this, Iago. All this time I’ve thought you were such a good friend that I’ve let you spend my money as if it was yours. IAGO ‘Sblood, but you’ll not hear me! If ever I did dream of such a matter, abhor me. IAGO Damn it, you’re not listening to me! I never dreamed this was happening—if you find out I did, you can go ahead and hate me. RODERIGO Thou told’st me Thou didst hold him in thy hate. RODERIGO You told me you hated him. IAGO Despise me If I do not. Three great ones of the city (In personal suit to make me his lieutenant) Off-capped to him, and by the faith of man I know my price, I am worth no worse a place. But he (as loving his own pride and purposes) Evades them with a bombast circumstance Horribly stuffed with epithets of war, And in conclusion Nonsuits my mediators. For “Certes,” says he, “I have already chose my officer.” And what was he? Forsooth, a great arithmetician, One Michael Cassio, a Florentine (A fellow almost damned in a fair wife) That never set a squadron in the field, Nor the division of a battle knows More than a spinster—unless the bookish theoric, IAGO I do hate him, I swear. Three of Venice’s most important noblemen took their hats off to him and asked him humbly to make me his lieutenant, the second in command. And I know my own worth well enough to know I deserve that position. But he wants to have things his own way, so he sidesteps the issue with a lot of military talk and refuses their request. “I’ve already chosen my lieutenant,” he says. And who does he choose? A guy who knows more about numbers then fighting! This guy from Florence named Michael Cassio. He has a pretty wife but he can’t even control her. And he’s definitely never commanded men in battle. He’s got no more hands-on knowledge of warfare than an old woman— unless you count what he’s read in books, Act 1, Scene 1, Page 2 Wherein the toged consuls can propose As masterly as he. Mere prattle without practice Is all his soldiership. But he, sir, had th’ election And I, of whom his eyes had seen the proof 30 At Rhodes, at Cyprus, and on other grounds Christian and heathen, must be belee’d and calmed By debitor and creditor. This counter-caster He (in good time) must his lieutenant be And I, bless the mark, his Moorship’s ancient

Do you similar assignment and would want someone to complete it for you? Click on the ORDER NOW option to get instant services at LindasHelp.com

Dramaturgy of Othello by William Shakespeare Paper

Dramaturgy Assignment

Notes –

A lot of you are probably wondering when you were reading in chapter 3 what a Dramaturg is.The book gives a brief over view of what this person does for a theatrical production but I do not like the books definition and I would like for you guys to understand this position a little better.To do that I have developed a little assignment that will help you get into the shoes of an actual dramaturg.

The definition of a Dramaturg I would like you to use is this:

“A Dramaturg is a person that serves as the voice between playwright and the production.”

This means that when a production is being done, it is the responsibility of the dramaturg to make sure that the director, actors, designers and everyone involved in the production is sticking to the playwright’s original vision.

How does a dramaturg do this?A dramaturg can do this in many different ways but one of the most popular methods is called the PERSIA method.

PERSIA METHOD – this system has the dramaturg study the time period in which the playwright himself lived through six different viewpoints.

P – Political, what was going on in the world politically when the playwright wrote this play.Who was King, or President, was there a war going on etc. 

E – Economic, what was going on economically at the time the play was written.Was the playwright poor was the economy good/bad etc.

R – Religious, what was going on religiously in the world at the time the play was written.What was the primary religion at that time.

S – Socially, what was going on socially at the time the play was written.Were there class systems and what were they.

I – Intellectual, what was going on intellectually in the world with education and what were the popular philosophies of the time period. 

A – Artistically, what famous art movements were happening during the time of the playwright.

Assignment: 

  • Students are required to experience what it is like to be a Dramaturg for a production, and complete a 350 word essay choosing 1 of the 6 viewpoints and showing how that particular viewpoint influenced the Playwright.
  • Read the play Othello by William Shakespeare.The play can be found online for free in numerous places.Just Google Othello by William Shakespeare and you will be directed to the text.
  • Next you must choose a viewpoint on which to research about the time and the place where this play was written.That time period is between the years 1575 c.e. and 1630 c.e. in London, England.Choose one of the PERSIA viewpoints and do your research.
  • Now write your 350 word essay about the research you have gathered and how it affected Shakespeare in writing it.
  • To turn in this assignment I would like you guys to complete the essay in the Course Content Section under the Assignment Titled Dramaturgy.You can write your answer in the answer box or Attach a word Document if you are more comfortable with that.

A Shortened Example: Play Macbeth. Viewpoint – Political. 

Politically in England during Shakespeare’s life, James V of Scotland has just become James I King of England.Since Macbeth is about a Scottish king it is safe to assume that Shakespeare was writing a play that would appeal to the current King of England.James I was also interested in the occult, and in the play Macbeth the characters of the witches serve as a major influence in moving the story forward.

Things to Consider:

  • Make sure your research is from 1575 to 1630, and in London, England.I know the play takes place in Venice and then in Cypress, but you are not doing research on Cypress or Venice.You are doing research on Shakespeare and he lived in London, England and wrote plays for people in London.It isn’t even known if Shakespeare ever even left London to visit Italy so talking about Italy is not what this paper is about.
  • Do not talk about the Cinthio short story Othello is based on.Once again, this Italian writer writing in Italy is not what this paper is about.In the time of Shakespeare, there were many different versions of Othello.What makes Shakespeare’s notable was that his version was the best.Cinthio’s short story is irrelevant.
  • Do not talk about the Venetian-Ottoman Wars.This war happened in another country and although is in the play, it has no influence on Shakespeare and the audiences in London.
  • Do not write a Synopsis of the play.Most of your paper should be your research and the only mention of the play is when your research is connected to a certain character or event in the play.

5 attachmentsSlide 1 of 5

UNFORMATTED ATTACHMENT PREVIEW

No Fear Shakespeare – Othello (by SparkNotes, transcription by Alex Woelffer) Original Text Modern Text Act 1, Scene 1 Enter RODMERIGO and IAGO 10 15 20 25 RODERIGO and IAGO enter. RODERIGO Tush! Never tell me. I take it much unkindly That thou, Iago, who hast had my purse As if the strings were thine, shouldst know of this. RODERIGO Come on, don’t tell me that. I don’t like it that you knew about this, Iago. All this time I’ve thought you were such a good friend that I’ve let you spend my money as if it was yours. IAGO ‘Sblood, but you’ll not hear me! If ever I did dream of such a matter, abhor me. IAGO Damn it, you’re not listening to me! I never dreamed this was happening—if you find out I did, you can go ahead and hate me. RODERIGO Thou told’st me Thou didst hold him in thy hate. RODERIGO You told me you hated him. IAGO Despise me If I do not. Three great ones of the city (In personal suit to make me his lieutenant) Off-capped to him, and by the faith of man I know my price, I am worth no worse a place. But he (as loving his own pride and purposes) Evades them with a bombast circumstance Horribly stuffed with epithets of war, And in conclusion Nonsuits my mediators. For “Certes,” says he, “I have already chose my officer.” And what was he? Forsooth, a great arithmetician, One Michael Cassio, a Florentine (A fellow almost damned in a fair wife) That never set a squadron in the field, Nor the division of a battle knows More than a spinster—unless the bookish theoric, IAGO I do hate him, I swear. Three of Venice’s most important noblemen took their hats off to him and asked him humbly to make me his lieutenant, the second in command. And I know my own worth well enough to know I deserve that position. But he wants to have things his own way, so he sidesteps the issue with a lot of military talk and refuses their request. “I’ve already chosen my lieutenant,” he says. And who does he choose? A guy who knows more about numbers then fighting! This guy from Florence named Michael Cassio. He has a pretty wife but he can’t even control her. And he’s definitely never commanded men in battle. He’s got no more hands-on knowledge of warfare than an old woman— unless you count what he’s read in books, Act 1, Scene 1, Page 2 Wherein the toged consuls can propose As masterly as he. Mere prattle without practice Is all his soldiership. But he, sir, had th’ election And I, of whom his eyes had seen the proof 30 At Rhodes, at Cyprus, and on other grounds Christian and heathen, must be belee’d and calmed By debitor and creditor. This counter-caster He (in good time) must his lieutenant be And I, bless the mark, his Moorship’s ancient

Do you similar assignment and would want someone to complete it for you? Click on the ORDER NOW option to get instant services at LindasHelp.com